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Looks (6) Luis Ramos

Painting: Makan Emadi, 2004/10

"Mirror Mirror", 2006

Averse to codes conduct defined hijab, and subverting the stiffness of the garment, Iranian artist Makan Emadi focused on close-up of woman's face.

Makan Emadi, "Ms. March ", oil on canvas, 2004

The project started in 2007 and was appointed by a caricature suggestive motto:" Femme Fatale ". Here the gaze becomes the artist's preferred framework, which reduces the visual obsession hinted restraint of modesty.

Makan Emadi, "Femme Fatale No. 2", oil on screen, 2007

Makan Emadi, "Femme Fatale No. 3 ", oil on canvas, 2007

Makan Emadi, "Femme Fatale No. 1", oil on canvas, 2007

Makan Emadi, "Femme Fatale No. 4, 2008
charcoal and ink on paper

Makan Emadi, "Femme Fatale No. 8, 2008
coal and acrylic on paper

Makan Emadi, "Femme Fatale No. 5, 2008
charcoal and acrylic on paper

Makan Emadi," Femme Fatale No. 8, 2008
acrylic on canvas

Makan Emadi, "Femme Fatale No. 8, 2008
acrylic on paper

The evolution of the work of Makan Emadi pushed him into the entertainment industry, engaging the stereotypes of Muslim women s to how business .

Makan Emadi, "Paris # 1" / "Marilyn No. 1, 2010
(Paris Hilton and Marilyn Monroe)

With the series" Modesty, "produced in acrylic on digital printing, a set media star ascends into the pop culture artist's easel. The pretext is the introduction of niqab, which has the role of fundamental prop, parodying the clash of cultures.