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David LaChapelle Pictures

iD Magazine, 2009

Always controversial, the American photographer David LaChapelle does not stand up to challenge the dominant values, to systematically introduce an element of irony in the work done.

"Jesus Is My Homeboy," David LaChapelle
Wolfgang Roth & Partners Gallery, Miami, January 2009

Series "Jesus Is My Homeboy" consists of six autonomous compositions, the photographer devoted to the last days of Jesus' life. The intense colors and meticulous staging of the characters featuring the artist's work, which sets the guidelines with a precision hierarchy, centered on the narrative journey.

The series as a whole, was first shown in March 2008 at TEFAF - art and antiques fair - Maastricht by "Jablonka Galerie of Berlin, with replacements in London (Robilant + Voena Gallery) and Miami (Wolfgang Roth & Partners Gallery).

"Jesus Is My Homeboy," David LaChapelle
TEFAF, Jablonka Galerie, Maastricht, March 2008

Again the pose is taken from the creation of an atmosphere saturated with color, suggesting a mix of glamor and eccentricity, which emphasizes the artifice of the game looks and contrasting tones and tuning luminosity. The initial approach to the theme of 2003, with "Last Supper", a witty reinterpretation of the homonymous work of Leonardo da Vinci.

"Last Supper" (Jesus Is My Homeboy), 2003

David LaChapelle photographed one of the exhibitions
Wolfgang Roth & Partners Gallery, Miami, December 2008

Sources: here, here , here and here .
David LaChapelle, Fairfield, Connecticut, USA, 1969

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Back on the Nuit Blanche ...

I spent a wonderful evening and late into the night at Nuit Blanche in Montreal last Saturday.

First, I left my apartment around 20 hours to go to the Biodome and see all the animals at night. Did you know that there were two lynx in the cage where they are ... If you do not know, now you know! They are night animals. They were beautiful to behold. Two beautiful big cats ... You should see their legs ... They are huge. Apart from the lynx, all other animals were asleep (except bats). The atmosphere was really different and I'll probably go back next year.

Subsequently, the sports facilities of the Olympic Park were open and if I was informed before I go, I brought my bathing suit to go to the Olympic pools, they were open until 2 am and it was free.

Next I visited the Biodome and the Olympic Park, I went to listen to the Complexe Desjardins free concert by the Orchestre Symphonique de Montréal from 22 hours to 23 h 15. Me who likes a little pop classic, it was really good. Subsequently, my friend joined me at metro Place des Arts ... He was 23 h 40 when he arrived and I was so impressed with the world there was ... It looked like we were a week night between 16 hours and 17 h 30, when everyone finishes work and that all students leave the classroom. It was special to do on a Saturday to almost midnight.

We went out to see balls of light outside. Then we walked and went to see the different cultural attractions, free, set around the underground city. All that to go home about 2 am 30. A whole evening ... I can tell you that after a day of skiing and be out later, I was exhausted! Sunday I nothing makes my day because it was my last vacation before I return to work.

I am now back to the reality of the job. For those whose blogs I follow, I'll update you in your messages and maybe write a little note. Good day and goodbye!

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scientific

Wellcome Image Awards 2011

continues to dazzle us this huge capacity to surprise involving the world of scientific research. The "Wellcome Image Awards 2011" lets us look behind the scenes of building one of the largest medical libraries in the world, awarding a huge variety of images of exceptional technical quality, coming from physicians and scientists.

Mouse embryo animation (organs of a mouse embryo) optical projection tomography
, Ian Smyth

Wellcome Trust brought together the most significant photographic records acquired by the foundation over the past 18 months and selected 21 works. The award-winning images, ranging from the clinical picture of the life sciences, was presented on February 23 at Wellcome Collection in London, where he will be on display until July 10.

visualizing neuronal tracts (neurons of adult human) magnetic resonance imaging
, Nuada Medical

Wellcome Trust brought together the most significant photographic records acquired by the foundation over the past 18 months and selected 21 works. The award-winning images, ranging from the clinical picture of the life sciences, was presented on February 23 at Wellcome Collection in London, where he will be on display until July 10.

lifetime Chromosome Map (human chromosome) multiphoton fluorescence microscopy
, David Lleras

Blastocyst embryo (reconstruction of a mouse embryo)
computational simulation, A. Jedrusik / M. Zernicke-Goetz

Developing mouse kidney (kidney formation in mouse embryo
), optical projection tomography, Ian Smyth

Pyramidal neurons (simulated neurons)
computational simulation, Michael Häusser / Hermann Cuntz

Wheat infected with ergot fungus (fungus-contaminated wheat)
fluorescence microscopy, Anna Gordon / Fernan Federici

In this year of the Wellcome Image Awards "were awarded special prizes to the photography of David Bishop , a transplant kidney from living donors, and a fluorescent micrograph of Fernan Federici and Lionel Dupuy, which identifies the cell division of a plant.

Laproscopic surgery (laparoscopic surgery room)
photograph, David Bishop

Cell division and gene expression in plants (plant stem)
confocal micrograph, Fernan Federici / Lionel Dupuy

Ruby-tailed wasp (wasp)
light microscopy, Spike Walker

mouse retina (the retina of rats at one month old)
confocal micrograph, Freya Mowat

Zebrafish retina (the retina of fish)
light microscopy, Kara Cerveny

"It's easy to forget that behind each of these intriguing images there is a complex story of scientific pursuit. We seek hundreds of images of scientists and artists year after year, providing an excellent opportunity to make visible the cutting-edge science and the people who are across the images. " (Catherine Draycott, Head of Wellcome Images)

cavefish embryo (embryo fish)
confocal micrograph, Monica Folgueiras

Popliteal aneurysm (aneurysm)
3D image, Arindam Chaudhuri

male foreleg of a diving beetle (Paw
filaments of a beetle), light microscopy, Spike Walker

proleg Caterpillar (fake leg of a silkworm silk)
light microscopy, Spike Walker

periodontal bacteria (bacteria that cause dental plaque on teeth
), light microscopy, Derren Ready

Honeybee (bee), scanning electron micrograph
, David McCarthy / Annie Cavanagh

The Wellcome Trust Foundation was established in 1936 in the UK, the U.S. pharmaceutical Henry Wellcome (1853-1936), to promote biomedical research with the objective of improving human and animal health. "

Moth wing scales (scales of a moth of Madagascar) scanning electron micrograph
, Kevin MacKenzie

Blood clot on the plaster (bandage on
gore), scanning electron micrograph, Anne Weston

Adult male mosquitoes (adult mosquitoes)
light microscopy, Spike Walker

Sources: here, here and here.

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Javier Marín

is abundant variety of materials used by Javier Marin, from the early works of pottery, by the use of resin and bronze, through alternative media such as tobacco and amaranth seed, among others.
Using his own words, "the sculpture is alive" and does not obviate the experimental nature of it feeds the emotions and expressiveness.

Javier Marin has 48 years and exhibits since 1983

Javier Marin is one of the most influential artists in contemporary sculpture. His work stands as a revisiting of the traditional canons, implying a sense of craft production as a mark of origin. The artist seems to be committed to enhancing the scars that result from the design of parts by integrating them into the final texture.

Javier Marín, clay from Oaxaca and Zacatecas with engobes
Sin título, 82 x 30 x 29 cm, 1993
"Sitting mujercita Amarilla" 78 x 23 x 27 cm, 1993

Javier Marín, Untitled, Oaxaca and Zacatecas bar with
engobes, 94 x 66 x 33 cm, 1994

Javier Marín, "Head IX, 1996
the lost wax bronze with lard silver, 49 x 26 x 35 cm

Javier Marín, Oaxaca and Zacatecas mud with engobes
"light only" 155 x 68 x 35 cm, 1996
"The Heart in es mio", 140 x 70 x 64 cm, 1995

Javier Marín, "Hombre Grande de Pie," 1997
polyester resin, 217 x 83 x 74 cm

Javier Marín, lost wax bronze em
"Neither you nor I", 153 x 63 x 65 cm, 1997
Untitled, 160 x 80 x 55 cm, 1998

Javier Marín, "Red Head", polyester resin,
Semente amaranth and rail, 337 x 240 x19 cm, 1997

Javier Marín, "Today Is Today "(1 flat), 2000
polyester resin and oil rail, 389 x 237 x 295 cm

Javier Marín, "Torso of Man I" clay Oaxaca and Zacatecas
com slips, 143 x 64 x 72 cm, 2000

Javier Marín, "White Woman I II III", 2000
Oaxaca and Zacatecas mud slips com
144 x 65 x 44 cm / 150 x 65 x 53 cm / 150 x 65 x 53 cm

Javier Marín, "Gate-Cubes", 2000
polyester resin, 240 x 160 x 40 cm

Agustín Arteaga, curator and art critic, in Javier Marín: "Regress cynically clássica origem da sculpture From thence to adulterating it immediately, in a vision Mannerist. Not political or conceptual, it could even be accused of apparently trivial and conventional.

Javier Marín, "Cube Nueve en Bronce, 2001
lost wax bronze, 50 x 50 x 40 cm (9 x)

" chose not to do 'what if hold 'of a contemporary artist. He returned to the archaic tradition of ceramics and patterned to challenge to his absolute honesty to do what he believes. With your attitude once again put the sculpture on a pedestal ... and reactivated the pendulum of art history. " (Agustín Arteaga, 1994)

Javier Marín," Head of Amarante I ", polyester resin and
amaranth seed, 158 x 110 x 75 cm 2001

Javier Marín, "Head," Lost Wax
bronze and polyester resin, 150 x 88 x 62 cm, 2001

Javier Marín " Torso de Hombre "in 2001
polyester resin, 162 x 76 x 50 cm

Javier Marín, Untitled, 2003
com arame polyester resin, 245 x 255 x 65 cm

Javier Marín, "Heaven, Earth, 2004
snuff com polyester resin, 72 x 262 x 112 cm

"Three Wigs" (2009) and "Seven Heads" (2005)
Javier Marín, Nohra Haime Gallery, Nova Iorque, 2009

Javier Marín, "Man Great "/" Great Women "Detalhe
Arts Center Fundidora Park, Monterrey
photography Esparta Palma, Fickr , 24.07.2008

Javier Marín, Retroperspectiva, 2005
Centro de las Artes del Parque Fundidora, Guadalupe

A mandatory reference in the work of Javier Marin's installation "Chalchihuites - Dos Gotas ", consisting of two rings with five feet in diameter, formed by fragments of bodies tied together. Allusion to a deity Aztec Coyolxauhqui, goddess of the moon

Javier Marín, "Chalchihuites - Dos Gotas", Arco, Madrid, 2005

Javier Marin, sculptures in polyester resin
3rd International Biennial of Art Beijing 2008

Built into the set of events involving the achievement of the last Olympics, the 3rd International Art Biennial Beijing awarded in 2008 the sculptural group "Torso de Mujer con Cuatro Cabezas Interchangeability", designed in polyester resin and black earth, in various dimensions: 152 x 67 x 43 cm (torso), 48 x 35 x 36 cm (cabeza 1), 53 x 32 x 33 cm (cabeza 2) and 45 x 26 x 36 cm (cabeza 3).

"Torso de Mujer con Cuatro Cabezas Interchangeability"
black earth and polyester resin, 2004

Javier Marín, "Caballos I, II and III"
polyester resin, 690 x 240 x 110 cm
wasteland Art Gallery, Arco, Madrid , 2005

Javier Marín, "Caballos I, II and III"
3 on 3, Piazzetta Reale, Mila, 2008/2009
photograph of Paolo Savonuzzi, Flickr, 20.11.2008

Javier Marín, "Caballos I, II and III"
Sculptuur Den Haag, The Hague, 2009
photography Marielle Ernst, Flickr, 14.06.2009

Sources: here, here and here.
Javier Marín, Uruapan Michoacan, Mexico, 1962