The U.S. magazine "Time" included it in the list of 100 most influential people of 2008, with the distinction of being the only artist regarded. Without being consensual, Takashi Murakami is still surprising.
Artistic production is conceived on a grand scale, with the enhancement of the anchor anime based on manga Japan, where all your work evolves performed. The symbiosis - which assumes effusively - between traditional Japanese culture and American pop art gives it a prominent place in the international arena.
Takashi Murakami, "DOB's March" and "Forest of DOB, 1995 SCAI The Bathhouse, Tokyo, photograph by Norihiro Ueno, 1995
Takashi Murakami," Balloons, "Rockefeller Center photograph of Spencer Platt / Getty Images, 12.09.2003
Takashi Murakami, The Geffen Contemporary at MOCA "The Museum of Contemporary Art, Los Angeles, 2007/08
Takashi Murakami," Miss ko ² ", sculpture, photography 1997 Benoit Tessier / Reuters Versailles, 09.09.2010
shrouded in controversy, the Takashi Murakami retrospective at the Palace of Versailles did not call into question the massive presence of visitors, who were eventually overtaken by the festive and somewhat ironic tone of the works presented.
memory was still present in the controversy raised by the sexually explicit nature Two of his most controversial - "Hiropon" (1997) and "My Lonesome Cowboy" (1998) - where are revealed the jet of milk to involve the very feminine figure, which gives rise to it, and ejaculation an amazing young exhibitionist.
Takashi Murakami, "Second Mission Project ko ² 1999 oil and acrylic on glass fiber and synthetic resin
Takashi Murakami, "Kaikai & Kiki", oil and acrylic on fiberglass and synthetic resins, Versailles, 2010
Takashi Murakami lithograph, 70.1 x83, 1 cm, 2007 "My arms and legs rot off and through my blood rushes forth, the tranquility of my heart Shall Be prized above all"
Takashi Murakami, acrylic and platinum leaf on canvas 243 x 282 x 5 cm, "I open wide my eyes But see the scenery. I fix my gaze upon my heart, "2007
Takashi Murakami lithograph, 71.1 x 83.8 x 2 5 cm, 2008 "That I May transcend time, That my heart May the universe unfold
Takashi Murakami, "Tongari-Kun", 2003/04 oil, acrylic urethane and s / steel and fiberglass, 700 x 350 cm
Versailles, photography Florian Kleinefenn, 2010
Paula Alzugaray in magazine Isto É, "on display at Versailles:" Marriage between the opulence ornamental French classicism and manga Japanese luxury could not be more perfect. Murakami knows how to combine traditional techniques and contemporary images of each sculpture and is a trophy. " (" Luxury does not come out of fashion, "10/29/2010)
Takashi Murakami," Flower Matangi, 2001/06 oil and acrylic on iron and fiberglass, 315 x 204.7 x 263 cm
Versailles, photo by Pierre Verdy / AFP, 09.09.2010
Takashi Murakami at Versailles, 09.09.2010 " Gold Oval Buddha "(2007/10), photo by Pierre Verdy / AFP
Sources: here, here , here and here .
Takashi Murakami, Tokyo, Japan, 1962
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